In the sleepy port town of Bellingham, Washington, sixteen-year-old aspiring composer Bear McCreary imagined and wrote his own films, just so he could score them. A chance encounter led him to film-music legend Elmer Bernstein, who moored his boat in Bellingham harbor. The maestro recognized a passion for musical storytelling in the ambitious high school student and encouraged him to study composition at the USC School of Music in Los Angeles, where he took him on as a protégé. Two decades later, McCreary has validated Bernstein’s instincts, having proven himself one of the most versatile and in-demand composers in the industry. Forbes declared, “As a composer, his genre track record is one of the most impressive in modern day Hollywood.” His myriad of credits includes the hit series Battlestar Galactica, The Walking Dead, and Amazon’s record shattering series The Lord of the Rings: The Rings of Power; the films Godzilla: King of the Monsters, Freaky, Happy Death Day, The 4:30 Movie, 10 Cloverfield Lane and its sequel The Cloverfield Paradox, Orion’s Child’s Play, and Universal Pictures’ The Last Voyage of the Demeter.
McCreary announced The Singularity, an ambitious multimedia project that combines an eclectic rock concept album, a graphic novel published by Image Comics, and a live concert. McCreary is joined by an extraordinary ensemble, including legends such as Slash (Guns N’ Roses), Rufus Wainwright, Serj Tankian (System of a Down), Corey Taylor (Slipknot), Jens Kidman (Meshuggah), Joe Satriani, Buck Dharma (Blue Öyster Cult), Kim Thayil (Soundgarden), and Scott Ian (Anthrax), among many others. The accompanying story is revealed in three spoken-word monologues, performed by celebrated actors Lee Pace (The Hobbit), Danai Gurira (Black Panther), and Ryan Hurst (Sons of Anarchy). Beyond The Singularity, McCreary partnered with multiplatinum artist Hozier, cowriting and performing “Blood Upon the Snow” for God of War Ragnarök. He has also collaborated with Fiona Apple for The Lord of the Rings: The Rings of Power, Shirley Manson (Garbage) for Terminator: The Sarah Connor Chronicles, and Mark Hamill (Star Wars) for 2019’s Child’s Play. He was honored to work closely with the iconic Sinéad O’Connor on the seventh season Outlander main title theme, a recording that tragically became her last.
Equally renowned in television, McCreary won a Primetime Emmy Award for Outstanding Main Title Theme for Da Vinci’s Demons, a composition that is a carefully constructed palindrome (sounding the same forwards and backwards). His score for the epic Apple TV+ series Foundation was orchestrated around custom computer software, inspired by the show’s mathematical premise. McCreary also received Emmy nominations for the pirate drama Black Sails, from executive producer Michael Bay; Netflix’s The Witcher: Blood Origins, Outlander and its spinoff Outlander: Blood of My Blood, Ronald D. Moore’s global-hit adaptation of Diana Gabaldon’s acclaimed novels; and FOX’s Human Target, which, along with his brassy score for Marvel’s Agents of S.H.I.E.L.D., were early examples of large orchestral scoring’s triumphant return to television. His music for Battlestar Galactica was lauded by Variety as “innovative,” “like no other” by NPR, and earned him a coveted spot on io9.com’s “Ten Best Science Fiction Composers of All Time.” He earned the prestigious BAFTA and DICE awards, as well as a Grammy nomination for his scores to Sony PlayStation’s 2018 smash hit God of War and its massive sequels God of War Ragnarök & God of War Ragnarök: Valhalla for which he received three grammy nominations. In 2023, his diverse body of work inspired the Ringer to declare McCreary the 23rd Most Definitive Bear in popular culture!
Having carved his own path in the media-scoring business, McCreary is proud to nurture the next generation of screen composers. He has enthusiastically encouraged the team at Sparks & Shadows, a collective of his musical protégés, to branch out into their own projects, including Disney+’s megahit Percy Jackson and the Olympians, Paramount+’s series adaptation of the iconic game series Halo, Kevin Smith’s Masters of the Universe: Revolution, the Blumhouse and Lionsgate feature film Imaginary, Starz’s The Serpent Queen, and Sony’s beloved video-game experience God of War Ragnarök: Valhalla, among others.
McCreary has conducted performances of his music throughout North America and Europe. He has composed concert commissions for the Calder Quartet and Getty Center, the Hagen Philharmonic and Ballet in Germany, the Television Academy, the Seattle Symphony, and the Golden State Pops Orchestra. His music has been performed on multiple occasions at the Hollywood Bowl including in 2014 when Maestro Gustavo Dudamel masterfully conducted a suite of McCreary’s music with the L.A. Philharmonic and L.A. Master Chorale. In 2011, he composed “Fanfare for STS-135,” a rousing orchestral work played at the launch of NASA’s space shuttle Atlantis, commemorating the final shuttle launch in American history.
- For My Love That’s Lost – Outlander Blood of my Blood
- The Ellen and Brian Theme – Outlander Blood of my Blood
- Drop Main Title – Drop
- Security Camera – Drop
- Prelude to a Kiss – Drop
- Galadriel – LOTR The Rings of Power
- Numenor – LOTR The Rings of Power
- Blood Upon the Snow – God of War Ragnarok
- God of War Ragnarök (feat. Eivør)
- Karat Case of Love (feat. Brendan McCreary) – The 430 Movie
- Main Theme – Percy Jackson and the Olympians
- The Last Voyage of the Demeter
- The Serpent Queen Main Title
- Catherine de’ Medici – The Serpent Queen
- Foundation Main Title
- The Black Rose – The Witcher Blood Origin
- The Echo and the River – The Witcher Blood Origin
- Vanguard – Call of Duty Vangaurd
- Bloodlust – Call of Duty Vanguard
- Skipping Stones – We Have a Ghost
- Samurai Hank – Paws of Fury the Legend of Hank
- Logos – Freaky
- Main Title – Godzilla King of the Monsters
- Alex – Rim of the World
- God of War
- Memories of Mother – God of War
- Theme – Child’s Play (feat. Mark Hamill)
- ISS – Rim Of The World
- The Professor and the Madman
- Happy Death Day 2 U
- Benvenuti – Welcome Home
- Main Title – Hell Fest
- I Still See You
- End Credits – TAU
- Overture – The Cloverfield Paradox
- The Colossal Prologue – Colossal
- Innocence (End Credits) – Rebel In The Rye
- Jennifer and Omar – Unrest
- Cloverfield Lane
- Theme from Assassin’s Creed Syndicate Jack the Ripper
- Cobblestone and Fog – Assassin’s Creed Syndicate Jack the Ripper
- Jack the Ripper – Assassin’s Creed Syndicate Jack the Ripper
- Animal Crackers Overture – Animal Crackers
- Greta’s Arrival – The Boy
- Main Title- The Forest
- Main Title -Da Vinci’s Demons
- Main Theme – The Walking Dead
- Overture- Agents of S.H.I.E.L.D
- End Credits – Star Wars Tales from the Galaxy’s Edge
- Main Theme -Black Sails
- Main Theme – Human Target
- The Skye Boat Song (Main Title) – Outlander
- Kara’s Coordinates – Battlestar Galactica

